Sandra Gibson and Luis Recoder stage the scene of film as orphaned object through the temporal labor of moving image installation. Collaborators since 2000, Gibson and Recoder unite the rich traditions of the experimental film, particularly its structuralist and materialist strands, and the multi-modal sensibility of expanded cinema that emerged in the 1960s, in which the moving image was woven into the labile space of performance, sound and audience interaction. Their larger body of work explores this interstice between avant-garde film practice and the incorporation of moving images and time-based media into the museum and art gallery. Based in New York, Gibson and Recoder have exhibited and performed internationally at the Whitney Museum of American Art, MoMA PS1, Mad. SQ. art, Performa, Light Industry, The Kitchen, Anthology Film Archives, Microscope Gallery, Brooklyn Bridge Park, Hallwalls, Berkeley Art Museum and Pacific Film Archive, REDCAT, Ballroom Marfa, Robischon Gallery, Sundance Film Festival, CATE, Contemporary Art Museum St. Louis, Sagamore, Toronto International Film Festival, Images Festival, BFI London Film Festival, Tate Modern, Barbican Art Gallery, ICA, Dundee Contemporary Arts, Galerie Peter Kilchmann, Viennale, Austrian Film Museum, Schirn Kunsthalle Frankfurt, Internationale Kurzfilmtage Oberhausen, HMKV, RIXC, 25FPS, Courtisane, M HKA, STUK, BOZAR, TENT, International Film Festival Rotterdam, Reina Sofia, La Casa Encendida, CCCB, Museu do Chiado, Serralves Foundation, Solar Galeria de Arte Cinemática, Careof/Viafarini DOCVA, Atelier Impopulaire, Morra Foundation, Nam June Paik Art Center, Yokohama Museum of Art, and the 21st Century Museum of Contemporary Art. Gibson + Recoder are represented by Robischon Gallery.
Images: Untitled I & II, ink on paper, 2018